Thursday, December 17, 2009
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WERTHER: CHARACTERS
The main characters involved in the book are the love triangle of Werther, Charlotte and Albert, but, beyond them, involving more characters in the book, as the children of Charlotte various managers and counts to which Goethe gives no name,.
The main characters involved in the book are the love triangle of Werther, Charlotte and Albert, but, beyond them, involving more characters in the book, as the children of Charlotte various managers and counts to which Goethe gives no name,. Such are the main characters in the play:
WERTHER : a young artist with a great culture, sensitive and passionate lover of nature. In addition to this, is a loner who lives in a society that hates: not like the bureaucracy, the distinctions between classes and having to appear in a "politically correct."
CARLOTA : represents the feminine ideal of romanticism. It is a beautiful, educated, spontaneous, natural and simple, who embodies the role of woman-mother, responsible and attentive to everything and everyone around her.
ALBERTO : Charlotte's future husband is the counterpoint to the figure of Werther, a man reasonable, moderate and thoughtful. Sometimes it shows lack of sensitivity and do not understand why certain things in the way of thinking and acting of Werther.
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WERTHER: WERTHER
The narrative is linear time, starting on May 4, 1771 and ends with the burial of Werther on Boxing Day. The place where it happens most of the time has no name, though Werther says in the letter of May 26, he has built his cabin a mile from the village of Wahlheim (in the author's name is changed from the original reasons not described) 
The narrative is linear time, starting on May 4, 1771 and ends with the burial of Werther on Boxing Day. The place where it happens most of the time has no name, though Werther says in the letter of May 26, he has built his cabin a mile from the village of Wahlheim (in the author's name is changed from the original reasons not described) Business Plan On Poultry Farming
TIME: WERTHER
The narrator is the protagonist himself, who has in his letters about his feelings and what they cause. The first person to express intimacy, and with a tone very subjective, what matters is for him an emotional experience, this increases the feeling of authenticity and strengthens the credibility, giving it greater credibility and closer to the reader. As such, only has feelings and emotions, as opposed to an omniscient narrator who would know what they think all the characters, does not know what goes through the minds of other characters involved in the novel, although sometimes by gestures or reactions sensed something. Despite this at the end the narrator passes be the "editor" which tells the story in third person from the testimony of pieces of Werther's letters and stories of other characters. In this final part are left to show the feelings and the story is told in an objective manner with a predominance of action verbs. 
The narrator is the protagonist himself, who has in his letters about his feelings and what they cause. The first person to express intimacy, and with a tone very subjective, what matters is for him an emotional experience, this increases the feeling of authenticity and strengthens the credibility, giving it greater credibility and closer to the reader. As such, only has feelings and emotions, as opposed to an omniscient narrator who would know what they think all the characters, does not know what goes through the minds of other characters involved in the novel, although sometimes by gestures or reactions sensed something. Despite this at the end the narrator passes be the "editor" which tells the story in third person from the testimony of pieces of Werther's letters and stories of other characters. In this final part are left to show the feelings and the story is told in an objective manner with a predominance of action verbs. 
Friday, November 27, 2009
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SCENE V ROMEO AND JULIET: TEXT COMMENTARY ACT I, SCENE V ROMEO AND JULIET
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: ROMEO AND JULIET
• The work expresses the old experience that govern our lives and centers are responsible for our misfortunes. Romeo and Juliet is a tragedy of character and the plight of the protagonists to be more random than the need tragedy.
• The work produces a tragic because the characters are invulnerable and fall victim to a situation of hatred and violence, neither want nor can remedy.
• As love tragedy Othello prefitura work in two ways:
· Shakespeare contrasts a source of artistic inspiration. Currently, "the Shakespearean" is a formidable bank of experience for the theater edge.
• The work expresses the old experience that govern our lives and centers are responsible for our misfortunes. Romeo and Juliet is a tragedy of character and the plight of the protagonists to be more random than the need tragedy.
• The work produces a tragic because the characters are invulnerable and fall victim to a situation of hatred and violence, neither want nor can remedy.
• As love tragedy Othello prefitura work in two ways:
1. It is based on a labor of love Romanesque.
2. Part of formulas comedy.
The adaptation of the English author's work to the movies seems to be endless. In the twentieth century, led to the Franco Zeffirelli film Romeo and Juliet. Today we can say that Shakespeare's plays continue to be performed in venues around the world.
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CONCLUSION: ROMEO AND JULIET
The playwright uses a variety of poetic forms to throughout the story. The play opens with a sonnet. Most of the work is written in blank verse. Shakespeare poetically relates each with a different character. Thus we see as Friar Laurence uses the sermon, he loves tools used blank verse and colloquial register. When Romeo Rosalind speaks at the start trying to use the sonnet of Petrarch. This current is applied by men to exaggerate the beauty of women. This poetic form also uses the Lady Juliet Capulet to describe the physical appearance of Paris.
At the time when the couple meet the author changes the more contemporary Petrarchan sonnets, which highlights the metaphors.
Romeo and Juliet is a play with lots of rhymes and couplets. The beginning of the work is an example of dramatic contrasts. The initial sonnet follows the vulgar prose of the servants. This linguistic exuberance brings a wealth of poetic and rhetorical force.
This variety of style is reflected in a wide variety of settings and moods. 
The playwright uses a variety of poetic forms to throughout the story. The play opens with a sonnet. Most of the work is written in blank verse. Shakespeare poetically relates each with a different character. Thus we see as Friar Laurence uses the sermon, he loves tools used blank verse and colloquial register. When Romeo Rosalind speaks at the start trying to use the sonnet of Petrarch. This current is applied by men to exaggerate the beauty of women. This poetic form also uses the Lady Juliet Capulet to describe the physical appearance of Paris. At the time when the couple meet the author changes the more contemporary Petrarchan sonnets, which highlights the metaphors.
Romeo and Juliet is a play with lots of rhymes and couplets. The beginning of the work is an example of dramatic contrasts. The initial sonnet follows the vulgar prose of the servants. This linguistic exuberance brings a wealth of poetic and rhetorical force.
This variety of style is reflected in a wide variety of settings and moods.
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LANGUAGE: ROMEO AND JULIET
- Julieta daughter of the Capulets. His presentation was performed in 2 Estapar. In the dialogue between his father and the Count Paris and then in the third scene which shows a young woman of just 15.
- Thibault Juliet's cousin and nephew of Lady Capulet.
- The housekeeper personal confidant and Juliet's nurse. It is chatty, clever and vulgar. Shakespeare makes her a likeable but cynical. Shows spontaneity. Vocabulary, syntax illogical, his digressions and interruptions evoke the forms of the spoken language of a simple person and note pitch affection and humanity. Shakespeare's Juliet opposes.
- Lord Montague: is the patriarch of the Montague family.
- Lady Montague: is the matriarch of the Montague family.
- Romeo: son of the Montagues and the protagonist of the story. The lover conventional. It is a gregarious young man, courteous and dear, but is in a profound change. Is a lover of love and a lover of himself. Romeo is a fad. Social posturing.
- Benvolio: cousin and friend of Romeo. Accompanies him in all his deeds.
- friend Mercutio, Romeo is the cynical punisher. He opposes and even Romeo Tybalt. Is a character that represents to what he loves Romeo for Juliet. Mercutio is a funny and smart with great verbal wit is active and provocative.
- Count Paris: belongs to the government of Verona Juliet's fiance.
- Friar Laurence: Franciscan friar friend of Romeo. 
- Lord Capulet: is the patriarch of the Capulet family.
- Lady Capulet: is the matriarch of the Capulet family.
- Julieta daughter of the Capulets. His presentation was performed in 2 Estapar. In the dialogue between his father and the Count Paris and then in the third scene which shows a young woman of just 15.
- Thibault Juliet's cousin and nephew of Lady Capulet.
- The housekeeper personal confidant and Juliet's nurse. It is chatty, clever and vulgar. Shakespeare makes her a likeable but cynical. Shows spontaneity. Vocabulary, syntax illogical, his digressions and interruptions evoke the forms of the spoken language of a simple person and note pitch affection and humanity. Shakespeare's Juliet opposes.
- Lord Montague: is the patriarch of the Montague family.
- Lady Montague: is the matriarch of the Montague family.
- Romeo: son of the Montagues and the protagonist of the story. The lover conventional. It is a gregarious young man, courteous and dear, but is in a profound change. Is a lover of love and a lover of himself. Romeo is a fad. Social posturing.
- Benvolio: cousin and friend of Romeo. Accompanies him in all his deeds.
- friend Mercutio, Romeo is the cynical punisher. He opposes and even Romeo Tybalt. Is a character that represents to what he loves Romeo for Juliet. Mercutio is a funny and smart with great verbal wit is active and provocative.
- Count Paris: belongs to the government of Verona Juliet's fiance.
- Friar Laurence: Franciscan friar friend of Romeo.
Thursday, November 19, 2009
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CHARACTERS: DRAMATIC STRUCTURE
Shakespeare uses various dramatic techniques. The main feature is the change repetitive comedy to tragedy. This can be seen in Act III where prior to the death of Mercutio, the script tends towards a more comical. Only after that time, it takes a serious and tragic tone. While Romeo is banished, as Friar Laurence suggests a plan to Juliet for her to meet her lover, the audience can still wait for it to end well between them. The public is in a state of suspense. There is a contrast in the hope and despair. The optimism of the last scene ends in the grave final tragedy where two lovers die.
The author also uses subplots to offer a clearer picture of the actions taken by each of the main characters. 
Shakespeare uses various dramatic techniques. The main feature is the change repetitive comedy to tragedy. This can be seen in Act III where prior to the death of Mercutio, the script tends towards a more comical. Only after that time, it takes a serious and tragic tone. While Romeo is banished, as Friar Laurence suggests a plan to Juliet for her to meet her lover, the audience can still wait for it to end well between them. The public is in a state of suspense. There is a contrast in the hope and despair. The optimism of the last scene ends in the grave final tragedy where two lovers die. The author also uses subplots to offer a clearer picture of the actions taken by each of the main characters.
Tuesday, November 10, 2009
Friday, October 30, 2009
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DECAMERON TEXT 2: COMMENT TEXT 1
Here we first review the text of the Decameron. Although it took a bit now ready . 
Here we first review the text of the Decameron. Although it took a bit now ready .
Friday, October 23, 2009
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Decameron: CONCLUSION OF THE WORK
the late fifteenth century, Florence and other Italian cities became the scene of a flourishing unsurpassed in Western culture.
Dante and Boccaccio Pretarca among the precursors under the influence of the classics and the spirit renowned San Francisco de Asis anticipated in the fourteenth century a new conception of man-centered world and creativity.
the late fifteenth century, Florence and other Italian cities became the scene of a flourishing unsurpassed in Western culture. Dante and Boccaccio Pretarca among the precursors under the influence of the classics and the spirit renowned San Francisco de Asis anticipated in the fourteenth century a new conception of man-centered world and creativity.
The Decameron broke with tradition preserved literary and mystical tales of Boccaccio was the father of the modern novel, to develop the traditional medieval tale by adding a psychological feat that was lacking, presenting the human being what it is: A person with strengths and weaknesses, with its sorrows and glories.
The three authors laid the both bases of humanism and the Renaissance and Renaissance are considered and are considered the fathers of Italian literature of all time.
The three authors laid the both bases of humanism and the Renaissance and Renaissance are considered and are considered the fathers of Italian literature of all time.
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Decameron: CHARACTERS
In this work, especially in the fourth day, there are different types of characters in a courtly, social strata, servitude, various crafts ...
Unlike the medieval conception where the protagonist history had power as the beauty and strength, the characters in this work are characterized by cunning.
this work can be considered as an advance on the literature of the period, for the characterization of the Decameron advance on the secular conception of man which led the revival. This work is defined as a text anthropocentric and humanistic. 
In this work, especially in the fourth day, there are different types of characters in a courtly, social strata, servitude, various crafts ...
Unlike the medieval conception where the protagonist history had power as the beauty and strength, the characters in this work are characterized by cunning.
this work can be considered as an advance on the literature of the period, for the characterization of the Decameron advance on the secular conception of man which led the revival. This work is defined as a text anthropocentric and humanistic.
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Decameron: THEME AND THE ROLE OF WOMEN
novel's narrator each day of the IV determines the subject of it. The subjects are almost always outsiders. In this fourth day we focus on the tragic love. Boccaccio tends to write its own history, so we see a novel with great touches of autobiography.
One of the main features of the Decameron is the treatment that the author gives to women, a trait that sets it apart from its predecessors
Now the woman is like a man to have access to the delights of life, love, freedom and adventure.
Boccaccio has a naturalistic conception of love point reflected in the attitude of women. Boccacciana mentality is more open. That gives voice to seven women to express their feelings through their stories, a story in which the role of women sharp, clever, brash and witty.
is the woman to whom he dedicated the work, trying to give comfort and entertainment to those who, like himself, have suffered for love. 
novel's narrator each day of the IV determines the subject of it. The subjects are almost always outsiders. In this fourth day we focus on the tragic love. Boccaccio tends to write its own history, so we see a novel with great touches of autobiography. One of the main features of the Decameron is the treatment that the author gives to women, a trait that sets it apart from its predecessors
Now the woman is like a man to have access to the delights of life, love, freedom and adventure.
Boccaccio has a naturalistic conception of love point reflected in the attitude of women. Boccacciana mentality is more open. That gives voice to seven women to express their feelings through their stories, a story in which the role of women sharp, clever, brash and witty.
is the woman to whom he dedicated the work, trying to give comfort and entertainment to those who, like himself, have suffered for love.
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Decameron: LANGUAGE AND STRUCTURE
The Decameron is the first Italian prose work lays the foundation of the modern art of writing novels, because what did Dante and Petrarch in verse, prose did Boccaccio. In the language there are different levels depending on who has the floor. It shapes the Italian prose comes from Latin and transferring it to the vernacular of the XIII and XIV. The language is high and worship.
Each day has an introduction, then come the stories and finally the conclusion. The hundred stories of the Decameron reflect multiple reality. Their scheme begins with the degradation of society to go to escape to a happier society. Vision of death to end on a more optimistic. 
The Decameron is the first Italian prose work lays the foundation of the modern art of writing novels, because what did Dante and Petrarch in verse, prose did Boccaccio. In the language there are different levels depending on who has the floor. It shapes the Italian prose comes from Latin and transferring it to the vernacular of the XIII and XIV. The language is high and worship.
Each day has an introduction, then come the stories and finally the conclusion. The hundred stories of the Decameron reflect multiple reality. Their scheme begins with the degradation of society to go to escape to a happier society. Vision of death to end on a more optimistic.
Friday, October 16, 2009
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